In the center of each Eden Chouraki's paintings, you will notice a prayer,
a symbol, a letter or even a shadow. Her paintings have something deeply moving about them. We sense an adequacy between the abstract theme and instinctive element.
Eden Chouraki's paintings have something deeply moving about them. We sense an adequacy between the abstract theme and instinctive element. These are paintings of comprehension and not simulation because likelihood, forms, perspectives and colors to her have no importance as long as its world of mysteries remains safe.
According to her, gesture painted can not be PULSIONNEL for two reasons; whether we like it or not the image pollutes the spirit and whatever we do the human look will only see what the flesh will allow it to see.
In the center of her paintings without much effort you will notice a prayer, a symbol, a letter or even a shadow.
This student from "l'ecole du Louvre" formatted by the Musee Guimet in the largest refinement of Asiatic arts, today, practices the means to seduce and has only made cannons of Yaffet as long as the beauty remains pure in the tents of Sem.
We sense that between a brutal incontinence and a domestic one threw every one of her paintings, her faith is expressed artistically.
Faith, like many things in her everyday life. An enchantment that is like her credo and that will always give her a reason as long as the only law remains the feeling of the law.
As for you, as for myself, between the obvious and the unspoken, needless to say we are invited to pray....